http://irinawerning.com/index.php?/back-to-the-fut/back-to-the-future/

Irena Werning has won the 2012 Professional Category Sony World Photography award for her conceptual series:

Back to the Future.
She has carefully re-staged old images to be viewed alongside the originals. I find the juxtapositions amusing but never patronising.  It is fascinating to see just how much care and attention to detail she has gone to in these reconstructions . The subjects look spookily still the same as their (much) younger selves and I feel she has created a really clever and original way of working with old photographs. I have used old photographs myself when trying ideas out but have not so far tried to re-create the whole scene from scratch. 

Sony photography awards 2012  
http://www.guardian.co.uk/artanddesign/gallery/2012/apr/26/sony-world-photography-awards-2012-in-pictures    

Image Copyright © Irena Werning

 


The 2nd assignment must be shot in Jpeg--I prefer Raw and enjoy “tweaking” in Lightroom.  Learning how the camera sees and records a scene , and being able to use this knowledge to create better images in-camera with no PP , has been the purpose of the preceding exercises and projects. I have no idea at the moment of what or how I want to shoot. So I decided the best way of curing this lethargy was to simply take some , even just one or two , shots under one of  the conditions needed for the assignment. I took myself upstairs with a car inspection lamp and set my tripod up to do some self-portraiture in a dark room. Having nearly set fire to the room because my lamp overheated I then carried an ordinary spotlight reading lamp upstairs to use as my single light source, My preferred method of working is to use available daylight but I actually enjoyed the challenge of trying to achieve a film noir look on the cheap. Trying being the operative word here , my amateurish attempts are hardly cutting edge but I shot in jpeg, I bracketed all the shots using my light meter, and tried different WB settings to see just how they altered the atmosphere of an image. It’s interesting to see just how much the WB setting contributes to the mood of a picture. The Spike Lee film “Do the Right Thing” is a brilliant example of how good cinematography contributes to the oppressive mood of the film.  I personally prefer the more orange than natural looking tones of the two images below as I feel they are more representative of what I was trying to achieve.    


             Top image  F8 1/8 sec ISO 200 @ 24mm Tungsten WB / Bottom image @ 1/6 sec Fluoroesceent  WB

I also attempted to bounce some more light back onto my face using a white card.

 It's difficult taking self-portraits with no assistant !!!
I have  also been trying to think of different techniques to incorporate old photographs with portraiture as a way of showing a connection between past and present--a way of exploring thoughts and feelings. For this image I used a reading lamp and took a series of self-portraits at different focal lengths . I really wanted a wider view to show more of the dressing table and all of the bits and pieces kept there but found it very difficult to frame correctly and use myself as the model.  Keeping the light source out of the frame proved awkward. Shooting at slow speeds made many of the images out of focus if I moved slightly and I wanted the mirror reflection to be reasonably sharp in order to clearly see the person I was and have now become. Anyway the image below was the best I could manage at this session but I will continue to explore this concept more.

F9  1/4 sec ISO 320 @ 50mm Tungsten WB

 
I have been rather unmotivated lately, sometimes work and life just get in the way of  regular studying. I want to get started on assignment 2 but the weather has not  been accommodating--it seems to be always raining when I have some precious free time to do any outdoor photography. I could write some notes, read a book,   anything rather than do nothing, but, worst of all, I have been lacking  inspiration. However when I was asked by my daughter to take some photographs 
for her friend who is trying to set up a children's bridesmaids dress design company I jumped at the chance. I enjoyed the afternoon and it has given me the 
impetus to get cracking again. I am unable to put most of the images on my website --something I promised the young models mums. Granddaughter  Maisie , who is rapidly becoming my favourite muse, was one of the models , so along with a back view of the gorgeous dresses I am able to show just two of the thirty seven final images chosen out of  just over one hundred. I also put into practice the editing skills from the first assignment to whittle the selection down to a manageable portfolio. 
 
Perfect  Exposure: The Professional Guide to Capturing Perfect Digital Photographs 
[Paperback
Michael Freeman Product details Paperback: 192 pages Publisher: ILEX (6 April 2009) 
LanguageEnglish  ISBN-10: 1905814461  ISBN-13: 978-1905814466 


This a fabulous book and one I would recommend any student on the DPP course to obtain. It offers succinct advice on how to achieve professional results using a digital camera. Chapter 2: Technical makes essential reading to learn just how a digital camera sensor works and sees, supplementing the course notes for Part 2: Digital image qualities.  Using a digital camera without the knowledge offered in the book would make it difficult to be truly creative . I know my way around the manual controls of my camera and I like to think I am reasonably in control , but know this is a book I will continue to use for guidance and advice.