I was happy to get really positive feedback so promptly from Russell. This assignment turned into a very personal piece of work for me so knowing I produced something that he considers an “excellent submission not only from a technical point of view, where you demonstrate a real understanding and empathy with the form” made the stress and hard work involved worthwhile. This summer has been especially difficult and I have struggled to keep up to date with my OCA work and still have a lot of catching up to do but receiving such encouraging and constructive advice has boosted my enthusiasm to keep on with my studies.

I find printing a black art—I waste masses of paper attempting to get what I feel is a decent print. I use an Epson R2880 and Perma Jet  Fibre Base Royal 325 paper. Russell sent me a separate email about my prints and although he comments they are very good he feels they are a touch too contrasty. I personally like high contrast but I can understand what he means as there is some detail lost in a few of the photos. I have noted in my thoughts below which images he suggests reviewing and will re-process and print again to compare.




Individual image feedback & suggestions for improvement. 

B with her “Best Friend” 

The harsh processing and body language “communicate her predicament” 
But Russell was able to see beyond this and caught a glimpse of the real B , the one hidden beneath this exterior ,  “there is a sophistication abut this person that belies her habit”.
I really could not have hoped for a better response to this painful image.
Russell suggests dodging the lower right negative space and also her right hand held against her chest.  



I have amended the image as suggested and re-printed it . 

Rachel, Summer 2012

Russell suggests that although “the tonal range is good” it might be worth trying to attempt to get some more detail in her hair whilst trying not to increase the contrast or brightness. He also suggests a wider frame or stronger crop. I have amended the image in Lightroom and am really pleased with the resulting print as I have managed to obtain some more detail in her hair. However although I tried a crop of the image I much preferred my original version. 

Russell felt my next two images , showing two very different teenage boys , both worked really well.  

Jack


A lovely portrait , perfectly exposed and converted with a full range of tones and full of detail


Tom


You have again captured the look
Tom’s  T shirt is blown and Russell suggests reducing the brightness and doing a test print to check how it looks.

i have done this and re-printed and have managed to obtain a bit more detail that had been lost , not much but i think the 2nd print is an improvement.  

Mum

I laughed reading Russell’s comment that his own mother would not allow him to photograph her like this , Mum makes a great model , even if she does not always appreciate the  outcome! He suggests once again either a wider or closer shot , I think perhaps a closer shot would be better,   I used a white wall as the backdrop instead of my usual black velvet , and agree with Russell just how different the mood is , and also how it draws attention to her eyes. He suggests looking at the work of Richard Avedon, someone whose work I have looked briefly at but not in great detail. I am looking forward to researching his work and will write about this in the reading section of my blog. 

I Chose to look the Other way

Russell commented this worked worked well within the set capturing mood, texture , tone , and shape, but   “shame that its cropped at the top” I couldn’t agree more –oh how hard I tried to get the framing right for this one ! I cannot bear the though of re-taking this again to re-frame (it took about 100 shots) and I no longer have the dress I was wearing that day which was great for capturing texture and tone. Hence unfortunately I shall not be re-doing this particular image !!! 

Cousins

This was the least successful image in the assignment and on reflection one I should have perhaps excluded from my final choice. Its really difficult trying to decide which images to include or exclude and as the assignment work was very personal each portrait meant a lot to me , I let my heart rule my head. Russell felt that as the viewer cannot see what the girls are absorbed in the image lacks the “power to draw the viewer

The print although having a wide range of tones has a “background that loos a bit grey”.

I doubt I will get the opportunity to re-take this image again , additionally it did not fit in with the set but I shall try and remedy the grey background.   


 
The aim of this assignment is to show the creative effect that makes black and white photography remain relevant and modern. Adjustments made post-shoot alter tones but additionally form, texture, and contrast also need to be considered prior to taking the images and will play an important role is how well the photographs translate from colour to monochrome. I shot this assignment in Raw leaving the WB setting on automatic as I found whilst working through the exercises for part 3 that the WB control in Lightroom can also be used quite effectively to alter colours into tones.  I use Lightroom to convert my images to black and white but have no set formula, preferring to tweak until I am happy with the result! 


Jane Bown is a photographer I greatly admire and whose work I continually return to look at for inspiration. Her work is exclusively black and white, she comments “ I prefer the simplicity and directness of black and white. It emphasises the underlying patterns of light and dark and confers a natural harmony on the subject. Black and white is quiet, where colour is noisy and distracting, and I feel that it allows the personality of the sitter to come through” Introduction Pg. x Observer Books “Exposures Jane Bown” These are the qualities I aim to show with my latest set of portraits and for my third assignment I have continued with the family portraiture work started for assignment 1.

 Brief information about each image is included  below  but more detailed written notes have sent  to my tutor . Some of my written work is quite personal and I prefer to keep this offline.

1.

Picture
F4.5    1/160    ISO 100      50mm prime lens       

Taken outside using a white shed door as the background.

Custom WB @ 7682 -41 tint.

Adobe standard camera calibration setting using LR slider.

+ I stop exposure.

+ 45 Clarity

Tone curve adjustment. 



2.

Picture
F5.6      1/400     ISO 100     50mm prime lens

Tripod.   Cable release. Daylight outdoors.  Black velvet background.

Custom WB @ 5986  + 41 tint.

Portrait camera calibration setting using LR slider

+ 30 Clarity adjustment.

+ 1.30 stop exposure.

Tone curve adjustment




3.



Picture
F5.6      1/400      ISO 250        50mm prime lens

Tripod. Cable release. Daylight outdoors.  Black velvet backdrop.

Custom WB @ 5100 + 20 tint. 

Portrait camera calibration setting using LR slider

+18 Clarity adjustment.

+ 0.40 exposure

Tone curve adjustment.



4.

Picture
F4.5        1/160      ISO 100     50mm prime lens.

Daylight.  


Custom WB @ 5278 + 14 tint


Tone curve adjustment.


Portrait camera calibration setting using LR slider

5.

Picture
F10       1.3 sec       ISO 100       50mm prime lens 


Tripod. Cable release. Light meter.
 

Indoors using available frontal light from window.
 

Off white/cream wall as background. 


Custom WB @ 5697 + 52 tint.


+ 77 Clarity adjustment


Portrait camera calibration setting using LR slider.


Tone curve adjustment. 

6.

Picture
F5.6     1/40     ISO 250        50mm prime lens

Tripod. Cable release. Daylight outdoors.

Black velvet backdrop.

Daylight WB

Portrait camera calibration setting using LR slider.

+ 1.25 exposure

+ 20 Clarity adjustment

Tone curve adjustment. 



7.

Picture
F4          ½ Sec         ISO 200         19mm (using 11-22mm lens).

Tripod. Cable release. Light meter (invaluable for getting exposure correct)

Taken indoors using available side and frontal window light.

Black velvet backdrop.

Custom WB @ 4045 + 147 Tint

Adobe standard camera calibration setting using LR slider

+59 Clarity adjustment

Tone curve adjustment



8.

Picture
F5       1/40          IOS 100        55mm (using 28-75mm lens) 

Daylight. Bright sunshine in a shady area of the garden.

Late August.

Custom WB @ 4200 + 22 tint

- 9 Clarity adjustment

Portrait camera calibration setting using LR slider.